First-Republic Italy

This follows the journey of Italy during the First Republic after World War II when fascism was no longer the normal, but still around.

La Dolce Vita (1960)

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Directed by: Federico Fellini


La Dolce Vita is an interesting tale of stardom through the eyes of a journalist, Marcello. The film follows him as he goes through his antics of his everyday life in Rome. He has various love interests throughout the film. One is his girlfriend who, herself, questions their relationship and goes through her own struggles with drugs. Marcello also spends evenings with Maddalena and a Swedish American actress named Sylvia. He is looking for love and true intellectual life, conflicted with his aspiration in literature while reporting on the high life of the dominant class. His life is full of excesses, the "sweet life." At the end of the film, he decides to neither be a journalist nor a writer for an easier work as a publicity agent. The film offers a glimpse in the fast lane life for the upper classes in the After War Italian Economic "miracle".

Rock-and-Roll

The scene selected for this film is when Sylvia comes to visit Rome and there is a small party. Sylvia is enchanted by the music and dance and thoroughly enjoys it. In fact, during the 1950s, Rock and Roll enchanted the entire world. Often this style of dance mostly had to do with the music but often included the dance style as well, like the Jitterbug (Watson). Italy was no exception to this mentality. Though these dances were controversial because of the sexually charged movement, however, youth loved it and became extremely popular. Elvis Presley, among other iconic musicians, had huge influence on the world not just in United States. After the war, many of his singers influenced the Italian singers. Many famous Rock and Roll stars even emerged in Italy (Bensalhia). Overall, the influence of the United States made its way to Italy.

Il Sorpasso (1962)

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Directed by: Dino Risi


Il Sorpasso is an interesting film that follows the tale of two men as they go on a short trip together just for fun. Bruno happens to come across a law student, Roberto, and the two men start their journey. The film itself it appears at first light hearted while introduces various dramatic story lines and it is considered either “Pink Neorealism” or Comedy Italian Style.

The Twist

The Twist itself is a dance that many are very familiar with. It became a worldwide phenomenon in the 1960s. The dance itself gained popularity with the Chubby Checker's song "The Twist" that was featured on the Dick Clark Show in 1960. Due to the simplicity of the dance, many people were able to pick up the dance. The scene above in the film clip shows this fairly well. The farmers are dancing it, and later in the film, a "high class" party shows them also doing the twist just emphasizing its popularity with everyone (Rosenberg 2017). In a way, the popularity of this style of dance showed another facet of the United States influence on Italian culture.

The Seduction of Mimì (1972)

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Directed by: Lina Wertmüller


In this comedic film, Mimì is a man from Sicily that has to migrate to the North in order to get a job and escape the stronghold of the mafia. While in the North, he falls in love with an independent woman, Fiore. The two start a family, however Mimi’ has to return home in the south where the mafia awaits to control him worse than before. Italy was under major cultural socio-political changes with the feminist and workers movements and this film discusses them in this grotesque comedy Italian style.

Historical Context

This film has many elements involved in it from the mafia to the way communism had swept through and took a strong hold of Italy. Italy itself was under major cultural changes as well with the feminist and workers movements. This can be seen with various aspects of the film from the worker who died at Mimì's work and the various interactions with Fiorella. Of course this film had a very comical approach to what was happening.

Tango

Tango is a dance that has influences from African, Native American and European culture. Dances from the candombe ceremonies of former slave peoples helped shape the modern day tango. The dance originated in lower-class districts of Buenos Aires and Montevideo. The music derived from the fusion of various forms of music from Europe. The words "tango" and "tambo" around the River Plate basin were initially used to refer to musical gatherings of slaves, with written records of colonial authorities attempting to ban such gatherings as early as 1789.
The tango, which comes Argentina and Uruguay and retains African, Native American, and European influences, seems to have captivated Italians for years. Many Italians migrated to Argentina in the late 1800s and early 1900s. Many of the most important Argentinian composers of the tango declare that they, themselves, are Italian. ("Italian-Style Tango.") In Serra's paper he states, "The sentimentality that flows from tango melody derives from the feeling of nostalgia and longing for broken families and distant homes." This in itself is quite a beautiful statement, and goes well with how this dance captivates both Mimi and Amalia and shows their longing for love.